Refracting Light
Programme
Iannis Xenakis (Romania, 1922-2001)—Nuits
Georgi Sztojanov (Bulgaria, b. 1985)—Refracting Light
Arvo Pärt (Estonia, b. 1935)—The Woman with the Alabaster Box
Kaija Saariaho (Finland, 1952-2023)—Nuits, adieux
Anna-Karin Klockar (Sweden, b. 1960)—Speeches
Performers
Chamber Choir Ireland
Benjamin Goodson—Guest Director
Benjamin Goodson, Chief Conductor of the Netherlands Radio Choir, joins Chamber Choir Ireland for a feast of 20th and 21st-Century choral music at New Music Dublin 2025.
Xenakis' Nuits was composed as a protest against the cruel incarceration of untried political prisoners, and revisits the dark nights of the composer's youth spent in a prison cell in Athens. It strips vocal music of any known form of language or recognisable words, and replaces them with phonemes from Sumerian and ancient Persian tongues, oscillating between speaking and singing, talking and chanting, screaming and grunting.
Georgi Sztojanov's Refracting Light is based on the visual metaphor that just as light breaks into infinite colours and angles in a crystal clear prism, truth breaks in the prism of words, but all colours can be united into pure, undivided light.
Arvo Pärt's The Woman with the Alabaster Box tells a story from the Gospel of Matthew. Female voices dominate the story of the woman who poured precious ointment on Jesus' head. The displeasure of the disciples is conveyed through a duet of male voices; Jesus’ direct speech is communicated through the bass voices, and his prediction by the full sound of the choir.
Kaija Saariaho's Nuits, adieux is about singing, breathing, whispering, night time, farewells. The piece uses texts from Jacques Roubaud's Echanges de la lumière and excerpts from Honoré de Balzac Séraphita, alternating throughout in a sequence of “Nuits” and “Adieus”.
Anna-Karin Klockar's Speeches is an avant-garde choral cycle consisting of three different historical speeches: one by a French suffragist, one by a Native American Chief, and the “dog is a man’s best friend” speech.
Tickets on sale now.
Xenakis' Nuits was composed as a protest against the cruel incarceration of untried political prisoners, and revisits the dark nights of the composer's youth spent in a prison cell in Athens. It strips vocal music of any known form of language or recognisable words, and replaces them with phonemes from Sumerian and ancient Persian tongues, oscillating between speaking and singing, talking and chanting, screaming and grunting.
Georgi Sztojanov's Refracting Light is based on the visual metaphor that just as light breaks into infinite colours and angles in a crystal clear prism, truth breaks in the prism of words, but all colours can be united into pure, undivided light.
Arvo Pärt's The Woman with the Alabaster Box tells a story from the Gospel of Matthew. Female voices dominate the story of the woman who poured precious ointment on Jesus' head. The displeasure of the disciples is conveyed through a duet of male voices; Jesus’ direct speech is communicated through the bass voices, and his prediction by the full sound of the choir.
Kaija Saariaho's Nuits, adieux is about singing, breathing, whispering, night time, farewells. The piece uses texts from Jacques Roubaud's Echanges de la lumière and excerpts from Honoré de Balzac Séraphita, alternating throughout in a sequence of “Nuits” and “Adieus”.
Anna-Karin Klockar's Speeches is an avant-garde choral cycle consisting of three different historical speeches: one by a French suffragist, one by a Native American Chief, and the “dog is a man’s best friend” speech.
Tickets on sale now.